We are very excited to welcome Black Quantum Futurism to the first Social Art Summit.
Based in Philadelphia, USA, Black Quantum Futurism [BQF] is an interdisciplinary creative practice between Camae Ayewa and Rasheedah Phillips that weaves quantum physics, afrofuturism, and Afrodiasporic concepts of time, ritual, text, and sound to present innovative works and tools offering practical ways to escape negative temporal loops, oppression vortexes, and the digital matrix.
BQF has created a number of community-based projects, experimental music projects, installations, workshops, books, short films, zines, including the award-winning Community Futures Lab - a socially engaged art project utilizing themes of communal temporality, futurism, and preservation of memory and history in an area undergoing redevelopment, gentrification, and mass displacement.
To kick-off Day 2 Rasheedah Phillips will make a presentation exploring ideas around Re-Imagining the City.
Black Quantum Futurism (BQF) is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future’s reality. This vision and practice derives its facets, tenets, and qualities from quantum physics, futurist traditions, and Black/African cultural traditions of consciousness, time, and space. Where these three traditions intersect exists a creative plane that allows for the ability of African-descended people to see “into,” choose, or create the impending future.
Under a BQF intersectional time orientation, the past and future are not cut off from the present - both dimensions have influence over the whole of our lives, who we are and who we become at any particular point in space-time. Through various writing, music, film, visual art, and creative research projects, BQF Collective also explores personal, cultural, familial, and communal cycles of experience, and solutions for transforming negative cycles into positive ones using artistic and holistic methods of healing. Their work focuses on recovery, collection, and preservation of communal memories, histories, and stories.
Supported by Site Gallery
BQF Collective is a 2018 Solitude x ZKM Web Resident, 2017 Center for Emerging Visual Artists Fellow, a 2017 Pew Fellow, 2016 A Blade of Grass Fellow, and a 2015 artist-in-residence at West Philadelphia Neighborhood Time Exchange. The Collective has presented, exhibited, or performed at Red Bull Arts NY, Serpentine Gallery Pavilion, Philadelphia Art Museum Perelman Building, MOMA PS1, Bergen Kunsthall, Le Gaite Lyrique, MOFO Festival, and more.
Rasheedah Phillips, Esq
Rasheedah Phillips, Esq. is the Managing Attorney of the Landlord-Tenant Housing Unit at Community Legal Services of Philadelphia. She is a recent recipient of the National Housing Law Project 2017 Housing Justice Award, 2017 City & State Pennsylvania 40 under 40 Rising Star award, the 2018 Temple University Law School BlackLaw Student Association Award, and a 2017 Pew Fellowship co-recipient, and is a 2018 Atlantic Fellow for Racial Equity.
Rasheedah’s writing has appeared in Keywords for Radicals: The Contested Vocabulary of Late Capitalist Struggle, Temple University Political and Civil Rights Journal, Villanova Law Review, Organize Your Own Catalogue, and many other publications. Rasheedah is the founder of The AfroFuturist Affair, Black Quantum Futurism Collective, a founding member of Metropolarity Queer Scifi Collective, and a self-published speculative fiction author of multiple books. She is also the co-creator of the award-winning Community Futures Lab project, a socially engaged art project utilizing themes of communal temporality, futurism, and preservation of memory and history in an area undergoing redevelopment, gentrification, and mass displacement.